![]() ![]() Criticism towards motion capture technology was also a factor. Our integrated production capabilities span the entire creative spectrum. On tight budgets and tightly controlled productions. Our strength is knowing what it takes to create quality content. On March 14, 2011, Disney abandoned the project, citing the unsatisfactory yet successful performance of A Christmas Carol and the disastrous opening weekend results of Simon Wells' Mars Needs Moms. Trad or non-trad, whatever you challenge us with. In May 2010, Disney closed Zemeckis' digital film studio, ImageMovers Digital. Bonus features for the Yellow Submarine film include a short making-of documentary titled 'Mod Odyssey' (TRT: 7:30), the film's original theatrical trailer, audio commentary by producer John. ![]() Along the way, they fall through the Sea of Time, Sea of Nothing, Sea of Holes, and more. ![]() Pepper's Lonely Hearts Club Band, Captain Fred (Lance Percival) and his Yellow Submarine recruit The Beatles to help save Pepperland. Comedian Peter Serafinowicz was cast to voice Paul McCartney, Dean Lennox Kelly as John Lennon, Cary Elwes as George Harrison, and Adam Campbell as Ringo Starr.Ĭalifornia-based Beatles tribute band The Fabulous Four was cast to do the motion-capture performance for the animated Beatles.Īccording to the story, Disney hoped to release the film in time for the 2012 Summer Olympics in London. When the music-hating Blue Meanies take over Pepperland and freeze everyone within it, including the protectors, Sgt. officially announced the remake at the inaugural D23 Expo on September 11, 2009. Performance capture would be used, as with Zemeckis's previous animated films The Polar Express, Beowulf and A Christmas Carol.ĭisney and Apple Corps Ltd. Variety reported in August 2009 that Disney and director Robert Zemeckis were negotiating to produce a 3D computer animated remake of the film. As Meyer told me: 'The head of post-production at MGM, Bruce Markoe, got involved and took 'Yellow Submarine' to Abbey Road Studios, where they remixed the soundtrack. The Fabulous Four as performance capture for The Beatles The movie was revived in 1997 at the San Francisco Film Festival, where the reception encouraged this restoration project.Apart from anything, it’s an amazing Sixties time-capsule.A 3-D adaptation of the classic Beatles animated feature in which the British pop band traveled to a magical place called Pepperland in their yellow submarine to drive away the evil music-hating Blue Meanies. Then as now, Yellow Submarine is a diverting novelty. A Pepperland refugee screams “Help!” and Ringo drolly replies that, no, he doesn’t need any just now, thanks. There are stretches of visual panache and one or two great gags. The wacky know-it-all figure Jeremy Hillary Boob, who fixes their submarine motor and becomes the doleful hero of the song Nowhere Man, is voiced by Dick Emery. The Beatles sing in their own voices (and appear as themselves in a brief live-action coda) but when addressing their lugubrious dialogue to each other, their animated avatars are voiced by actors. They take refuge in a yellow submarine and ask for help from a local group, Sergeant Pepper’s Lonely Hearts Club Band (the “Beatles” are not named), in their traditional ceremonial uniforms. The story itself is a Lewis Carroll-ish adventure: the jolly inhabitants of Pepperland are threatened by the nasty, music-hating Blue Meanies. The grownupness of image and music there has power.Īfterwards we’re back to the stuff aimed approximately at children, and despite tracks such as Yellow Submarine and All Together Now, there is an uneasy and unresolved disconnect between the U-certificate songs and the darker material: my feeling is that the sublimely innocent and childlike quality of the Beatles’ music only works in those songs designed for adults. This is especially true for the superb rendering of Eleanor Rigby at the beginning, particularly the eerie juxtaposition of Liverpool and Everton players in red and blue, shivering and jittering surreally. Yet when a Beatles standard crashes on to the soundtrack, the whole thing snaps into shape and becomes something fiercer, more interesting, and more adult. There is a little bit of disposable and flabby whimsy, and between the songs, it often appears to be treading water graphically. And on seeing it again in 2018, I feel that, for all its attractions and sporadic inspirational outbursts, this well-meaning Ringo-oriented entertainment is not exactly in the top rank of Beatle achievements. However, honesty forces me to say that when I first saw this on TV as a kid, I secretly felt that it was one of those things that grownups sternly decide children ought to like. There’s real charm and genuine archival interest in this rerelease of Yellow Submarine, the Beatles’ animation from 1968 – lovingly restored, frame by frame, so that the colours pop and throb the way they did at the time. ![]()
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